Content warning: This article touches on the topic of a fictional pedophile and instances of pedophilia in The Apothecary Diaries. Rape of adults is also mentioned.
Thanks for visiting Anime Rants. Today, we’re reviewing The Apothecary Diaries episode 33 (AKA season 2 episode 9.) Although it was a fascinating and well-written installment, I do have one major issue with it. We learned important information about the deceased emperor (who I call Emperor Pedo), but it was framed in such a way to make him seem sympathetic on some level.

Even in fiction, I have no capacity for sympathy toward those who engaged in pedophilia. I begrudgingly allow pity for pedophiles who don’t act on their urges, but Emperor Pedo did whatever he wanted, sleeping with several children. By framing him as sympathetic, the narrative took the risk of brushing pedophilia under the rug.
I think the anime was trying to be historically accurate by making pedophilia sound like nothing more than a slightly unusual sexual preference. That’s what most people would have thought in a culture that didn’t value consent. It’s unfortunate because this makes it look a bit like the series is saying pedophilia is no big deal. I will have a bit more to say on this later when we discuss Lady Anshi again; but first, let’s review some other notes from this episode.

Episode 33: The Late Emperor
Episode Rating: 7/10
Maomao spent the night in Suiren’s room. While looking for a book, she found a box of children’s toys. Suiren told her it was full of Jinshi’s favorite toys from when he was a child. There was a rough golden rock in there as well. Maomao said it was poison, recognizing it as orpiment. Young Jinshi had somehow acquired a toxic mineral. The viewers know he got it from the late emperor, but why did that man have it?

The next day, the answers began coming clear. Maomao investigated the late emperor’s room and found that the wallpaper on the back wall was extra thick and soft. She asked the emperor’s former slave – a speech-impaired old man – if something was hidden behind the wallpaper. He only needed to nod or shake his head in reply. However, the old man refused to acknowledge Maomao’s questions. He wanted to keep the emperor’s secret. Thus, Maomao removed the wallpaper herself.

Underneath the thick paper, there was a painting that took up a large section of the wall. It was slightly faded but beautiful, showing several women in colorful kimono gathering under a magenta flowering tree. Apparently, Emperor Pedo had a secret talent for painting. He wouldn’t have been allowed to engage in such a frivilous activity as the leader of the country, so he had to hide it.

The woman in the center of the painting was probably supposed to be Emperor Pedo’s mother. She wore yellow clothes. Maomao knew immediately that the yellow kimono was colored with paint made from crushed orpiment. Emperor Pedo was in possession of the toxic material to use it for paint. People who suffer from long-term orpiment poisoning do not degrade as quickly once they are dead. The toxin slows decompisiton. The “curse” of the late emperor was therefore solved.

The episode changed gears a little at that point and focused on Lady Anshi as she relived her memories. Originally, she was a lady-in-waiting for her older sister, who was supposed to sleep with the emperor. However, Emperor Pedo reacted insanely to the woman, shrinking away and breaking into panicked tears after she touched him. This man was probably mentally ill in addition to being a pedophile. He didn’t just prefer young girls – he also had a phobia of grown women.

Little Anshi approached Emperor Pedo and was accepted in her sister’s place. She seemed to have sympathy for the handsome, sensitive emperor. It’s even possible that Anshi fell in love – a toxic and damaging love where she was the victim. She became pregnant while still very young and almost died in labor, saved by a primitive C-section. As the years passed, Anshi became an adult, and was no longer visited by Emperor Pedo. However, he continued messing around with other little girls.

Colored by the bitter jealousy of being forgotten by the man who destroyed her, Anshi did something drastic. She snuck into the emperor’s bedchambers, got on top of him, and tormented him. It was not stated if rape was committed, but I would assume so. Emperor Pedo locked himself into isolation after that point. His only company became his mute slave and his mother. Interestingly, Emperor Pedo did not order Anshi’s death, nor did he ever reveal her actions to anyone.

Was Anshi’s torment of the emperor justified? In one sense, certainly not. As a humanist who values consent, I do not accept that rape could ever be right. However, Anshi’s actions were 1) perfectly understandable (who doesn’t dream of harming their abuser?) and 2) helpful to everyone in the long term.
I definitely won’t throw shade at Anshi for getting revenge. Because of her actions, the emperor stopped being a threat to little girls in the palace. In addition, while sexual assault is always wrong, a predator should face the consequences of his actions. Even if others do wrong to him, that’s the just rewards of being an antisocial menace to society.

As Lady Anshi thought back, she recalled the one time Emperor Pedo painted her. She was still young at the time and her favorite color to wear was yellow. Anshi then realized that the woman in the wall painting might be herself rather than the former empress. After all, the woman was wearing a similar yellow kimono.
It’s possible that Emperor Pedo never forgot Anshi, but simply stopped seeing her as sexually attractive. That would explain why he never punished her and kept painting her in secret. Either way, I have no sympathy for him. His potential emotional attachment to Anshi does nothing to make him less disgusting.

In the last scene, Anshi talked to Jinshi in the light of the sunset. She knew he was the biological son of Emperor Pedo. During the talk, Anshi asked how Jinshi felt about Maomao. He said she was very useful, but Anshi could tell there was romantic attachment under the surface. She smiled and warned Jinshi to hide his favorites, lest they be stolen away from him. This hearkened back to the earlier discussion of Jinshi’s toys when he was a child.

I do have some more thoughts about Jinshi and Maomao, but that’s a topic to discuss another time. All in all, I appreciated this episode, though I wish the framing had been slightly different. To be clear, I don’t think The Apothecary Diaries tried to defend pedophilia. It’s just that the narrative tried a little too hard to be historical and steer away from moral commentary, making it look suspicious. That’s all for today.
~Thanks for reading~
Written by 7Mononoke
See more posts about Apothecary Diaries S2
Unless I mistake my guess, it felt, to me, that they were saying Emperor pedo wasn’t a pedo *and* sick in his head, but that he was a pedo *because* he was sick in his head. And then to have it stated plainly that Anshi’s father deliberately had her serve herself up to him on a golden platter, for the sake of their political ambitions, well… which of these men was sicker and more despicable? And you know that hers wasn’t the only family willing to be doing that.
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Yeah, I definitely got a strong sense of ick factor when I thought about all the noble families willing to send their young daughters to a known predator just so they could move up the social ladder.
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I think it’s also a layered critique of how these practices were normalized (to an extent) back then; at least in the light novel, the narrative (from the POV of Maomao) is really, really harsh on the late emperor and the general consensus on him is that basically everyone looked down on his sexual preferences. However, due to the power structures in place, nobody had any real say in letting the late emperor act on his urges, even if they loudly disdained him. While it’s certainly not pleasant to be executed, I think the Apothecary Diaries does make a subtle statement (reinforced in later episodes) that nobody in the rear palace did jack shit to intervene. By sticking to tradition and existing structures, it cost the lives of many, many children and trapped many more in the rear palace — again, by design of palace rules.
There was also some implication about Lishu as far as episode one: her low reputation at present owes itself partially to the same scheme that victimized Anshi. Both of their families (exempting Lishu’s mother who was dead) sent them to the rear palace knowing that the late emperor would likely take an interest in them — rather than sitting by and not doing anything to change the system, they took advantage of it with their very own children who they are supposed to protect and care for.
I think it’s also what makes discussions surrounding this episode (and the late emperor in general) so complicated, because it’s faults and flaws and shortcomings and just plain bad intent all piling up on each other. There is no single direct catalyst for how the rear palace degraded during the late emperor’s reign; the plague that wiped out the royal family can be considered as such, but it wasn’t what directly led to the former empress dowager’s abuse and the late emperor developing his… late emperor-isms. The late emperor is still awful and unforgivable, and in isolation he is the one to blame; but when you zoom out, the fault lies within the society and the culture they created within the palace that allowed for this to happen in the first place. Even with the current emperor currently cleaning up after his flop of a father (and doing a great job with Anshi’s help, also), there is still shockingly little initiative to fully recompense any of the victims affected by the late emperor’s reign.
Sorry for the ramble! It’s just a lot of words to say: Apothecary Diaries is sick as hell and Hyuuga Natsu is also, in the best way possible, sick as hell. Love this series haha.
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